Justificaciòn a priori is an exhibition comprised of nine new objects and drawings by Argentine artist Gustavo Dìaz. In his first solo exhibition in the United States, Dìaz attempts to reconcile the two unique schools of thought to which he subscribes, those of art and science. His diverse educational background- which includes studies in scientific research, philosophy, sculpture, music, architecture and design- has encouraged this theoretical and intellectual approach to art making.

Justificaciòn a priori; works installed at The MISSION

Justificaciòn a priori; works installed at The MISSION

Justificaciòn a priori; works installed at The MISSION

Recta modificada por condiciones climáticas; Mutatis mutandis distantes; works installed at The MISSION

Arquitectura de ruido blanco; Estrato de estabilidad vulnerado por un bucle extraño con cuadraditos Gödel; works installed at The MISSION

El universo como origen hipotético entre una cierta ambigüedad y una ambigüedad cierta; Construyendo una trama semántica mientras podo el Arbor Porphyriana IV; Arquitectura de ruido blanco; works installed at The MISSION

De natura sonorum invisibilis; Mientras Malevich concibe su cuadrado blanco sobre fondo blanco, es atravesado por la flecha del tiempo y en el fondo se escuchan sonidos 4´ 33”; works installed at The MISSION